[警世]影視台大佬BABYGROOT(150)
瓦坎達皇后(喪夫)
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iphone轉到呀
咁一係佢唔識字 一係唔識寫正體
BABYGROOT而家係CW post活躍
補link
最經典既150 quote
"因為我智商小學test過百五，而智商低過七十先叫弱智"
https://m.hkgolden.com/view.aspx?message=6015509&page=12
最經典既150 quote
"因為我智商小學test過百五，而智商低過七十先叫弱智"
https://m.hkgolden.com/view.aspx?message=6015509&page=12
我覺得呢個同佢寫個服字個個可以列入頭三150經典quote
仲有話唔俾用war字個個
150三大最柒事
1) IQ 150
2) Civil Battle
3) 偽win巴事件
1) IQ 150
2) Civil Battle
3) 偽win巴事件
下次可以係#2整埋排行榜
可唔可以加埋佢係手機台的120公里事件
同埋佢話票房2倍穩賺
同埋佢話票房2倍穩賺
票房穩賺求link
我尋晚都瘋狂搵佢啲柒事
要靠腦入面既keyword search
所以我冇份對罵既唔知點search
我尋晚都瘋狂搵佢啲柒事
要靠腦入面既keyword search
所以我冇份對罵既唔知點search
落街買完野整
但依個最好搵埋證據係唔係真係要3倍先有賺先好串佢，最好有d認受高的網
召喚外國撚阿唯幫手睇
利申 英文廢
利申 英文廢
Is it true that studios get a bigger cut of the revenue from the opening weekend?
And it used to be true across the board that the opening weekend was when the biggest percentage of profits went to the studios. In the past, studios "strong-armed exhibitors into these front-loaded deals, wherein the overwhelming majority of the opening weekend take goes to the studio," says David Mumpower with Box Office Prophets. "As much as 90% of that revenue is theirs." The theaters only make money by selling "overpriced snacks" to audiences during that first week — but in the following weeks, the theater's cut goes up. Eventually, by the fourth week, the studio's cut has fallen to around 52 percent in most cases.
How much of the domestic box office revenue goes to the studios?
These deals often protect the theaters from movies that bomb at the box office by giving the theaters a bigger cut of those films. So if a film only makes $10 million at the box office, the distributor will get only 45 percent of that money. But if a film makes $300 million at the box office, then the distributor gets up to 60 percent of that money.
You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Holdings, shows that 54.5 percent of its ticket revenues went to the distributors. So as a ballpark figure, studios generally take in around 50-55 percent of U.S. box office money.
Is it better if a movie makes more of its revenue in the U.S.?
According to the book The Hollywood Economist by Edward Jay Epstein, studios take in about 40 percent of the revenue from overseas release — and after expenses, they're lucky if they take in 15 percent of that number.
重點((好似係
And it used to be true across the board that the opening weekend was when the biggest percentage of profits went to the studios. In the past, studios "strong-armed exhibitors into these front-loaded deals, wherein the overwhelming majority of the opening weekend take goes to the studio," says David Mumpower with Box Office Prophets. "As much as 90% of that revenue is theirs." The theaters only make money by selling "overpriced snacks" to audiences during that first week — but in the following weeks, the theater's cut goes up. Eventually, by the fourth week, the studio's cut has fallen to around 52 percent in most cases.
How much of the domestic box office revenue goes to the studios?
These deals often protect the theaters from movies that bomb at the box office by giving the theaters a bigger cut of those films. So if a film only makes $10 million at the box office, the distributor will get only 45 percent of that money. But if a film makes $300 million at the box office, then the distributor gets up to 60 percent of that money.
You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Holdings, shows that 54.5 percent of its ticket revenues went to the distributors. So as a ballpark figure, studios generally take in around 50-55 percent of U.S. box office money.
Is it better if a movie makes more of its revenue in the U.S.?
According to the book The Hollywood Economist by Edward Jay Epstein, studios take in about 40 percent of the revenue from overseas release — and after expenses, they're lucky if they take in 15 percent of that number.
重點((好似係
我睇中文網有講係上世紀可以拎返九成，戲院只需一成加小食費用就可生存
有d直頭買起你套戲，所以票房都係戲院
但21世紀後因為唔少戲院執左
戲院會企硬要求40至60
本土要過3億先有資格拎返6成
有d直頭買起你套戲，所以票房都係戲院
但21世紀後因為唔少戲院執左
戲院會企硬要求40至60
本土要過3億先有資格拎返6成
我都有見到醬油咁講
重點係只要係現代有一個計法係唔可以全球2倍就回本
150都係畢，因為佢講到穩賺
150都係畢，因為佢講到穩賺