唔肯接受新嘢永遠留喺自己comfort zone先係重點 以為自己係李阿寶自命不凡 其實只係俾重力束縛嘅廢老
水星魔女d模型終需劈價
寂靜蘋果
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166 Dislike
唔肯接受新嘢永遠留喺自己comfort zone先係重點 以為自己係李阿寶自命不凡 其實只係俾重力束縛嘅廢老
大部份機都係出一兩集比主角打爆就算 冇乜深刻打鬥場面
之前見唔少人話水星拯救咗高達系列
呢隻分分鐘好賣過其他渣古戰士喎
啊。。。
行入去聖域你應該會見到好多嘢都特緊價
同埋做生意就算唔係特價個牌仔都係寫住特價㗎喇。。。
行入去聖域你應該會見到好多嘢都特緊價
同埋做生意就算唔係特價個牌仔都係寫住特價㗎喇。。。
今輯好唔好砌？
咁佢呢幾盒真係特價嘅，我諗成本價冇咁平
係衰在今次魔女啲機設襟睇故事又麻麻
但你又唔可以唔佩服bandai同sunrise至少喺播映嗰陣做到個熱潮引到一大批人買
但你又唔可以唔佩服bandai同sunrise至少喺播映嗰陣做到個熱潮引到一大批人買
下個月就msf係時候清咁啲
射射
近幾年D高達真係不堪入目
係得不孝子同雷霆有D feel
新gundam seed 機設仲衰過廿年前
剩係見到5小強都笑左
係得不孝子同雷霆有D feel
新gundam seed 機設仲衰過廿年前
剩係見到5小強都笑左
Seed套劇場版票房係閃光敗家仔既兩倍
啲UC廢老又咪繼續憎seed
啲UC廢老又咪繼續憎seed
水星既企劃概念就係用新題材吸新客群黎幫高達續命+發展
BANDAI班管理層就係已經意識到高達呢個IP既老化危機，唔可以再淨係食老本
你以為單靠UC老鬼同已經變緊中坑既SEED粉仲可以玩多幾耐?
https://www.bandainamco.co.jp/files/ir/integrated/pdf/en_2023_integrated_2.pdf
Aiming to further increase recognition around the world
As for THE WITCH FROM MERCURY, it had been seven years since the previous TV series, Mobile Suit Gundam: Iron-Blooded Orphans. However, going forward we would like to release a product in a shorter period of time. The worldwide recognition of Gundam is still low, and to expand it on a global basis it will be necessary to work with a sense of urgency. One initiative aimed at further increasing recognition going forward is the live-action film. COVID-19 has had an influence, and there has been a delay in production in comparison with the initial plans. However, we will continue to do our utmost so that this film becomes a trigger for increases in the recognition of Gundam.
In 2024, Gundam will mark its 45th anniversary. Currently, visual works that are in production include Mobile Suit Gundam SEED FREEDOM, which is a theatrical film, and Gundam Build Metaverse, which is primarily distributed online. However, for Gundam, the 45th anniversary is a transit point, and we are positioning this as a period for preparation for the 50th anniversary. Targeting the maximization of IP value, we will work together with fans around the world to continue to create new Gundam initiatives
Mobile Suit Gundam THE WITCH FROM MERCURY recording favorable growth in viewings in North America
I work in the Global Licensing Department, which delivers Gundam visual works to fans overseas. In addition, I also work with licensing in the area of products and services, in cooperation with Sotsu Co., Ltd., and other Bandai Namco Group companies.
Currently, the Internet is the main method of delivering visual works to fans overseas. This is a complete change from the former era, when the principal methods were TV broadcasts and packaged product sales. By implementing simultaneous worldwide rollouts through online distribution, and by forging connections among fans over the Internet, we expect to see further growth. There is a certain level of Gundam recognition in North America, which is one of the key markets for the Bandai Namco Group. Sales of Gundam plastic models are growing, and there are devoted fans. However, in regard to permeation to a general level of customers, there is still room for growth. An environment for the viewing of visual works has been established in North America. The online distribution of THE WITCH FROM MERCURY looks like it might have been a turning point for us to step up our initiatives. Initially, online distribution was centered on existing fans, but as the number of episodes rose, the viewing numbers began to increase. This could be considered evidence that new fans are increasing. In addition, I think that another factor is that the Internet distribution platform fosters connection among fans. New groups of fans join, and the buzz increase.
BANDAI班管理層就係已經意識到高達呢個IP既老化危機，唔可以再淨係食老本
你以為單靠UC老鬼同已經變緊中坑既SEED粉仲可以玩多幾耐?
https://www.bandainamco.co.jp/files/ir/integrated/pdf/en_2023_integrated_2.pdf
Aiming to further increase recognition around the world
As for THE WITCH FROM MERCURY, it had been seven years since the previous TV series, Mobile Suit Gundam: Iron-Blooded Orphans. However, going forward we would like to release a product in a shorter period of time. The worldwide recognition of Gundam is still low, and to expand it on a global basis it will be necessary to work with a sense of urgency. One initiative aimed at further increasing recognition going forward is the live-action film. COVID-19 has had an influence, and there has been a delay in production in comparison with the initial plans. However, we will continue to do our utmost so that this film becomes a trigger for increases in the recognition of Gundam.
In 2024, Gundam will mark its 45th anniversary. Currently, visual works that are in production include Mobile Suit Gundam SEED FREEDOM, which is a theatrical film, and Gundam Build Metaverse, which is primarily distributed online. However, for Gundam, the 45th anniversary is a transit point, and we are positioning this as a period for preparation for the 50th anniversary. Targeting the maximization of IP value, we will work together with fans around the world to continue to create new Gundam initiatives
Mobile Suit Gundam THE WITCH FROM MERCURY recording favorable growth in viewings in North America
I work in the Global Licensing Department, which delivers Gundam visual works to fans overseas. In addition, I also work with licensing in the area of products and services, in cooperation with Sotsu Co., Ltd., and other Bandai Namco Group companies.
Currently, the Internet is the main method of delivering visual works to fans overseas. This is a complete change from the former era, when the principal methods were TV broadcasts and packaged product sales. By implementing simultaneous worldwide rollouts through online distribution, and by forging connections among fans over the Internet, we expect to see further growth. There is a certain level of Gundam recognition in North America, which is one of the key markets for the Bandai Namco Group. Sales of Gundam plastic models are growing, and there are devoted fans. However, in regard to permeation to a general level of customers, there is still room for growth. An environment for the viewing of visual works has been established in North America. The online distribution of THE WITCH FROM MERCURY looks like it might have been a turning point for us to step up our initiatives. Initially, online distribution was centered on existing fans, but as the number of episodes rose, the viewing numbers began to increase. This could be considered evidence that new fans are increasing. In addition, I think that another factor is that the Internet distribution platform fosters connection among fans. New groups of fans join, and the buzz increase.
早排見CALIBARN仲賣緊200
命運改隻色唔難
但隻魔蟹要大執啦
本身amazing魔蟹同以前隻老模魔蟹差唔多
擺係而家咁出實比人屌
但隻魔蟹要大執啦
本身amazing魔蟹同以前隻老模魔蟹差唔多
擺係而家咁出實比人屌
Seed 一出
咩水星行埋一二邊啦
咩水星行埋一二邊啦
Seed劇情冇問題
有問題既係seed d
而且自由高達幫笨大搵左唔少錢
不肖子就真係屌佢幾時先出第2集啊
有問題既係seed d
而且自由高達幫笨大搵左唔少錢
不肖子就真係屌佢幾時先出第2集啊
其實吹到喧好賣, 有無條數睇下到底成個系列播劇果年, 個收入佔幾多
同埋果陣唔係有放風會炒, 先好多倒賣迦人入貨咩
同埋果陣唔係有放風會炒, 先好多倒賣迦人入貨咩
其實Seed D既基礎設定ok，如果唔係福田老婆寫寫下劇本死左應該唔會咁亂，機戰Z同機戰L都將佢個劇情改到好正常，真飛鳥同命運都算高人氣，就算爛劇情但成套野一樣好入腦，講足廿年都會挑起戰爭，相反鐵血水魔爛尾啲人根本唔想討論
不過最大問題都係佢本身設定就有bug, 正義身上啲三尖八角位根本收唔入魔蟹入面
不過還原唔到都唔緊要，單出魔蟹連嗰隻支援飛機俾我都好丫
不過還原唔到都唔緊要，單出魔蟹連嗰隻支援飛機俾我都好丫
出隻冇得拆既正義蟹我都接受
呢個係地球美魔女
今次亞斯蘭真係戲裏戲外都贏晒，福田係咁話佢最勁