我本身以為你係真係明都唔鍾意，但而家知其實你都係唔明有無人覺得《奇異女俠玩轉宇宙》 唔好睇..............
公屋公屋奇應丸
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Ok 我本身以為你係真係明都唔鍾意，但而家知其實你都係唔明
我本身以為你係真係明都唔鍾意，但而家知其實你都係唔明係，鍾意嘅人先明
師兄都係d 有文化情深鐘意思考理性既人
呢個分析唔錯wo樓主盲反
緊係唔知啦，非洲人係你早先又知唔知。
知就做chatgpa 啦
知就做chatgpa 啦
明既人都未必鐘意，唔洗咁獨醒ge
「祖先」
樓主到底幾無文化？連小學程度中文字都唔識？
樓主到底幾無文化？連小學程度中文字都唔識？
呢個肯肯定高手黎，成千字咁覆
主線咪又係救女
個女搞基
上年睇 其他冇乜印象
拎到獎都唔會令我想睇多次
個女搞基
上年睇 其他冇乜印象
拎到獎都唔會令我想睇多次
我幼稚園畢頁ja
同埋有幾難明
唔好睇咪唔好睇囉
唔好睇咪唔好睇囉
我覺得都係ff老屈ja
獨醒撚特別鍾意吹奏呢類電影
套戲個plot係講親情都唔俾打親情牌
打戲唔俾打交 愛情片唔俾談情
打戲唔俾打交 愛情片唔俾談情
導演自己講埋你都要話係老屈
再quote多段訪問畀你，今次係兩入面另一個導演，自己講套戲係回應緊postmodernism、提埋尼采嘅「上帝己死」：
DK: I think what those filmmakers do, the reason why people have latched onto their work, is because both of them are responses to postmodernism, which, you know, postmodernism is like the opposite of the Sublime. A lot of it's like, let's deconstruct, let's label, pull it apart. Let's remove ourselves from it emotionally and destroy this thing because we want to understand it. But what Satoshi Kon and Charlie Kaufman both do in their different ways is they try to rebuild something sublime out of that mess left over after postmodernism has destroyed the house. These artists are working in an almost meta-modernist space trying to recreate the experience of Romanticism, the hunt for the Sublime through art and meaning in a world that has killed God. I think that's what we're trying to do with this film is to destroy, to just kind of smash through all the cynical, deconstructive thought processes that we've kind of built up around ourselves like a wall shielding ourselves from feeling. But we're shielding ourselves from experiencing art, because we're just trying to pick it apart, understand it, label it before we even have a chance to let it move through you. This movie was very engineered to scramble all those wires, all the intellectual pieces of language you might have to describe a movie are thrown out the window, so early on you have no other choice but to feel and to experience.
https://www.filmfreakcentral.net/ffc/2022/04/daniels-interview.html
再quote多段訪問畀你，今次係兩入面另一個導演，自己講套戲係回應緊postmodernism、提埋尼采嘅「上帝己死」：
DK: I think what those filmmakers do, the reason why people have latched onto their work, is because both of them are responses to postmodernism, which, you know, postmodernism is like the opposite of the Sublime. A lot of it's like, let's deconstruct, let's label, pull it apart. Let's remove ourselves from it emotionally and destroy this thing because we want to understand it. But what Satoshi Kon and Charlie Kaufman both do in their different ways is they try to rebuild something sublime out of that mess left over after postmodernism has destroyed the house. These artists are working in an almost meta-modernist space trying to recreate the experience of Romanticism, the hunt for the Sublime through art and meaning in a world that has killed God. I think that's what we're trying to do with this film is to destroy, to just kind of smash through all the cynical, deconstructive thought processes that we've kind of built up around ourselves like a wall shielding ourselves from feeling. But we're shielding ourselves from experiencing art, because we're just trying to pick it apart, understand it, label it before we even have a chance to let it move through you. This movie was very engineered to scramble all those wires, all the intellectual pieces of language you might have to describe a movie are thrown out the window, so early on you have no other choice but to feel and to experience.
https://www.filmfreakcentral.net/ffc/2022/04/daniels-interview.html
多謝你 睇到呢到可以直接block
比，但悶囉，真係訓著。
個女反叛變魔頭，老母用元宇宙skill 救。
中間插大量cg, 唔同idea 咁。
家庭重要云云 , 又sell lesbian
個女反叛變魔頭，老母用元宇宙skill 救。
中間插大量cg, 唔同idea 咁。
家庭重要云云 , 又sell lesbian
tooo long cant read ,sory
屌你引戰撚拖低討論質素 crop埋出嚟餵埋畀你都話tldr 
餵埋落肚，翻譯，summarize
巴打唔好再晒心機覆條傻閪啦
佢明顯係假膠引戰
俾晒咩argument佢都係特登ignore
為嘅只係激嬲你
我都唔明點解會有咁loser嘅人
留返啲氣去同認真討論嘅人傾好過
佢明顯係假膠引戰
俾晒咩argument佢都係特登ignore
為嘅只係激嬲你
我都唔明點解會有咁loser嘅人
留返啲氣去同認真討論嘅人傾好過
本身都係希望有其他認真討論嘅人會睇到
不過都唔會再覆佢
不過都唔會再覆佢
其實套戲係俾留港撚睇，主角移民先有幸福