所以往往只係靠情懷賣土本港片，好難再打入國際市場
Btw 近年黎最欣賞同最脫俗既港片我認為係殭屍，除左cg差左少少之外真係一流
講真點解香港電影打唔入世界主流？
食飯睡覺打丁丁
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香港市場實在太細 要有大製作既冇千萬票房都唔洗諗住回本
所以往往只係靠情懷賣土本港片，好難再打入國際市場
Btw 近年黎最欣賞同最脫俗既港片我認為係殭屍，除左cg差左少少之外真係一流
所以往往只係靠情懷賣土本港片，好難再打入國際市場
Btw 近年黎最欣賞同最脫俗既港片我認為係殭屍，除左cg差左少少之外真係一流
套野就係講一個華裔移民返到中國，有種文化上嘅confusion 又唔出奇级
支味
因為中共唔比你打入, 一路打壓你, 等你成為一個市
講到尾, 香港必須獨立先可以重新發展
講到尾, 香港必須獨立先可以重新發展
呢套好唔掂
好似穿越片，揸住現代西方文化去過舊時代中國咁樣
李安接近三十年前嘅推手同喜宴贏無限條街
好似穿越片，揸住現代西方文化去過舊時代中國咁樣
李安接近三十年前嘅推手同喜宴贏無限條街
如果打入世界主流嘅定義係全世界都流行，其實真係只有美國荷里活電影，日本全盛時期嘅黑澤明，小津，法國新浪潮電影，都唔算世界主流。韓國片在上流寄生族之後有機會改變呢個情況，睇吓之後點發展
the farewell真係abc甚至係美國人睇所謂嘅東方文化同集體主義
李安嘅父親三部曲高質好多
不過係咁架啦 上流寄生族某程度咁受美國人歡迎
咪又係因為商業化嘅郊外驚慄元素 唔係真係咁多人睇得出啲symbolism
李安嘅父親三部曲高質好多
不過係咁架啦 上流寄生族某程度咁受美國人歡迎
咪又係因為商業化嘅郊外驚慄元素 唔係真係咁多人睇得出啲symbolism
一成不變，冇創作力，冇進步
要打入美國
首先要商業化 亦要接受美國導演編劇演員分家 各有各嘅專業同工會
唔係東方拍戲咁flexible 亦要受制喺美國嘅producer主導制 所以要接受個現實係東方導演除非係美國受訓練
好難打入美國
相反香港電影要健康發展 根本唔可以依靠合拍片
亦唔能夠只能製作啲呃獎戲 販賣熱血同悲情
反而商業化嘅小品 好似ufo電影 或者2000年代頭啲愛情喜劇
少年的你導演攝影配樂美指都係香港人 套戲質素係幾好 當然大家都唔接受呢套係港產戲 完全無香港元素
但係同時諗下 如果呢套戲係純港產用香港背景 有冇人肯出資 又有無香港人肯入場睇
當年樹大招風 大家一路話支持香港電影 見到政協又話唔撚睇 票房1000萬都無
首先要商業化 亦要接受美國導演編劇演員分家 各有各嘅專業同工會
唔係東方拍戲咁flexible 亦要受制喺美國嘅producer主導制 所以要接受個現實係東方導演除非係美國受訓練
好難打入美國
相反香港電影要健康發展 根本唔可以依靠合拍片
亦唔能夠只能製作啲呃獎戲 販賣熱血同悲情
反而商業化嘅小品 好似ufo電影 或者2000年代頭啲愛情喜劇
少年的你導演攝影配樂美指都係香港人 套戲質素係幾好 當然大家都唔接受呢套係港產戲 完全無香港元素
但係同時諗下 如果呢套戲係純港產用香港背景 有冇人肯出資 又有無香港人肯入場睇
當年樹大招風 大家一路話支持香港電影 見到政協又話唔撚睇 票房1000萬都無
There is a variety of reasons explaining why Homg Kong movies could not be appreciated in the world.
First and foremost, most of the movies produced in Hong Kong were not in English. Understandably, the United States is the leading country which has been influencing the world in different aspects and areas, including musics, fashions and designs etc..... Back in 1970s, Bruce Lee produced one of his movies, Enter the dragon, which has successfully brought up the eye of world to focus on Hong Kong movies. In the mean time, Bruce Lee also became one of the most successful martial artists in the world who has influenced the teenagers on this period to learn Chinese Kung Fu（No political reasons is included）. Therefore, making movie in English is of paramount importane to attract oversea audiences.
Secondly, the political situation in Hong Kong was complicated and complex at tgis stage. Normally, politics is an important issue which affects people’s lifestyle in many aspects. For example, Hong Kong people‘s self~identification has been a serious problem. As a matter of fact, we start to be confused and disappointed with our lifestyles. Therefore, people usually have lost their sense of liberty to unitify every individuals together with the deterioriating and worsen quality of lifestyle in Hong Kong. Most of us are pessmistic to the prospects of Hong Kong under this surrounding political situation in Hong Kong.
The above~mentioned are the main reasons why Hong Kong movies started to be disgraded in the past 20 years.
First and foremost, most of the movies produced in Hong Kong were not in English. Understandably, the United States is the leading country which has been influencing the world in different aspects and areas, including musics, fashions and designs etc..... Back in 1970s, Bruce Lee produced one of his movies, Enter the dragon, which has successfully brought up the eye of world to focus on Hong Kong movies. In the mean time, Bruce Lee also became one of the most successful martial artists in the world who has influenced the teenagers on this period to learn Chinese Kung Fu（No political reasons is included）. Therefore, making movie in English is of paramount importane to attract oversea audiences.
Secondly, the political situation in Hong Kong was complicated and complex at tgis stage. Normally, politics is an important issue which affects people’s lifestyle in many aspects. For example, Hong Kong people‘s self~identification has been a serious problem. As a matter of fact, we start to be confused and disappointed with our lifestyles. Therefore, people usually have lost their sense of liberty to unitify every individuals together with the deterioriating and worsen quality of lifestyle in Hong Kong. Most of us are pessmistic to the prospects of Hong Kong under this surrounding political situation in Hong Kong.
The above~mentioned are the main reasons why Hong Kong movies started to be disgraded in the past 20 years.
港產片題材太單一，演員唔多，連自己人都唔想睇，仲點做世界主流
韓片相對上題材豐富有創意，近幾年大紅既屍殺列車，上流寄生族，與神同行等等全部都係好新鮮既題材，連我呢個原來睇唔上泡菜既人都改觀左，以全亞洲黎計，中港日台冇一個地方有突破，係新鮮感方面，韓仔係真係贏哂
我本身都好憎韓國文化，真係以事論事
韓片相對上題材豐富有創意，近幾年大紅既屍殺列車，上流寄生族，與神同行等等全部都係好新鮮既題材，連我呢個原來睇唔上泡菜既人都改觀左，以全亞洲黎計，中港日台冇一個地方有突破，係新鮮感方面，韓仔係真係贏哂
我本身都好憎韓國文化，真係以事論事
無間道劇本拎埋oscars都重話打唔入
第一段精警
搞清楚香港拍戲同美國拍戲分別
你就會發現點解香港電影咁難打入美國市場
跟住再睇吓點解李安打得入美國市場
而吳宇森點解玩唔掂美國市場
因為香港基本上導演決定所有嘢，導演係最大，仲有好多時都係一大班人跟佢搵食
美國只要導演同製作人傾唔掂，一係就炒導演請另外一個，一係就加錢改嘢
個個都係獨立
搞清楚香港拍戲同美國拍戲分別
你就會發現點解香港電影咁難打入美國市場
跟住再睇吓點解李安打得入美國市場
而吳宇森點解玩唔掂美國市場
因為香港基本上導演決定所有嘢，導演係最大，仲有好多時都係一大班人跟佢搵食
美國只要導演同製作人傾唔掂，一係就炒導演請另外一個，一係就加錢改嘢
個個都係獨立
全部垃撚圾，又係嗰班人，改個英文字就算數，套套差唔多我都分唔清邊套打邊打
你以為話打就打得入
大家幫我做份問卷對於香港電影 我諗幾個人就代表哂 成龍，吳宇森，王家衛... 不進則退 依家佢地拍中國電影 都唔拍香港電影 想點入