https://thefilmstage.com/cannes-review-koji-fukadas-love-on-trial-gracefully-unpacks-idol-and-agency/
Many European audience members at the Cannes premiere seemed bemused; a fair few walked out. Love on Trial does not offer concessions to international audiences in overexplaining what an idol outfit is or why these groups have historically been managed this way. Instead, Fukada cleanly presents elements and examples that demonstrate the complex business interplay between the artist and audience in Japan, his film much like evidence in a trial from which we can draw our own conclusions
春天的花2025-05-26 15:44:47
佢電影真係仲多5秒過場,廣瀨鈴套老豆死開都有佢份
呢套我冇睇,佢好似冇對白?
突然結婚上嗰排其實佢仲有套電影上班族金太郎做反派,但佢social media 提都冇提又冇去宣傳,估計套野應該都幾鳩下
仲有Netflix 有得睇呢套Violent Action, 佢算多戲份同埋個角色幾癲,但啲劇情真係垃圾九流,動作同CG戲睇到勁尷尬要對佢好有愛先睇得完