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Danny Boyle’s upcoming film ‘28 Years Later’ is making headlines for being the largest movie shot on smartphones, specifically the iPhone 15 Pro Max.
With a $75 million budget, this marks a significant shift in filmmaking. Boyle and cinematographer Anthony Dod Mantle, who previously shot ‘28 Days Later’ with digital cameras, used specialized rigs to adapt the iPhones with DSLR lenses.
The movie, starring Cillian Murphy, Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, is part of a new trilogy and will be released in June 2025. Apple provided technical support for the production.
喪屍片《28年後》28 Years Later全程用iPhone 15 Pro Max拍攝
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The highly anticipated sequel to “28 days later,” set to release in 2025, introduces a unique twist in its production.
According to Wired, “28 Years Later” marks a massive milestone in filmmaking as it becomes the largest movie to date shot entirely on an iPhone 15.
Directed by Danny Boyle and featuring a stellar cast including Cillian Murphy, Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, the $75 million production showcases the impressive capabilities of modern smartphone technology in high-budget cinema.
By choosing the compact and versatile iPhones over conventional bulky cameras, Boyle and his team have streamlined the production process, not only setting a new standard for future large-scale films but also demonstrating the transformative potential of consumer technology in professional storytelling.
As the movie’s filming concluded a month ago, the iPhone 16 had yet to be unveiled, so an iPhone 15 Pro Max was reportedly used.
The highly anticipated sequel to “28 days later,” set to release in 2025, introduces a unique twist in its production.
According to Wired, “28 Years Later” marks a massive milestone in filmmaking as it becomes the largest movie to date shot entirely on an iPhone 15.
Directed by Danny Boyle and featuring a stellar cast including Cillian Murphy, Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, the $75 million production showcases the impressive capabilities of modern smartphone technology in high-budget cinema.
By choosing the compact and versatile iPhones over conventional bulky cameras, Boyle and his team have streamlined the production process, not only setting a new standard for future large-scale films but also demonstrating the transformative potential of consumer technology in professional storytelling.
As the movie’s filming concluded a month ago, the iPhone 16 had yet to be unveiled, so an iPhone 15 Pro Max was reportedly used.
依家啲電影一昧賣科技，事實係劇本內容同演員先係重點
唔慣得知畫質咁差
未上喎
28week後果時尾班喪屍都餓死左大半啦喎，仲點28年後
去咗法國喎
應該由英國之後變冚球鏟
應該由英國之後變冚球鏟28年後再一起
應該不怕
下套28世紀後？
講故唔好駁故，食樹皮都生存到ok?
，食樹皮都生存到ok?或者拍前傳28小時後
旁人不服氣
冇撚搞搞震啦
好地地一套大作你咁玩
好地地一套大作你咁玩
其實幾有趣，假設2800年後人類文明滅亡，寫喪屍新文明又得，死剩種變半原始人嘅人點發掘出「舊文明」打喪屍又得
你有無睇weeks架
有人好似left 4 dead同伊波拉病毒班主角咁
帶菌但唔會病發
有人好似left 4 dead同伊波拉病毒班主角咁
帶菌但唔會病發
點解冇28 months later
然後個老公同佢打車輪
話就話iPhone啫
啲配件多到
啲配件多到
佢呢套係合適既
好多action shot, POV action, found footage
都適合用smartphone video look
何況iPhone而家prores log都有，要拍cinematic, 重後製color grade都一樣得
好多action shot, POV action, found footage
都適合用smartphone video look
何況iPhone而家prores log都有，要拍cinematic, 重後製color grade都一樣得
用iphone拍 唔洗睇都知實差
搖搖下點睇呀大佬，果時blair project同cloverfield都俾人鬧到仆街啦。
you're only limited by creativity and skills not by equipment
https://www.youtube.com/watch?v=okOKLPhMKSQ
https://www.youtube.com/watch?v=okOKLPhMKSQ
呢套野$75M budget
乜科技後製都放晒落去啦
乜科技後製都放晒落去啦
你以為係就咁手持一部iphone咩架餐都唔使用咁去拍？