英國電影雜誌《視與聽》(Sight and Sound) 公佈年度十大電影

1. 花月殺手 Killers of the Flower Moon / 馬田史高西斯，美國


2. The Zone of Interest / Jonathan Glazer，英國，波蘭，美國 (稍後時間上映)


3. 從前的我們 Past Lives / Celine Song，美國


4. Poor Things / Yorgos Lanthimos，愛爾蘭，英國，美國


5. 芭比 Barbie / Greta Gerwig，美國 及 奧本海默 Oppenheimer / 基斯杜化路蘭，美國



7. 慾流雙行道 Passages / Ira Sachs，法國


8. 墮下的對證 𝐴𝑛𝑎𝑡𝑜𝑚𝑦 𝑜𝑓 𝑎 𝐹𝑎𝑙𝑙 / Justine Triet，法國 (稍後時間上映)


9. Do Not Expect Too Much from the End of the World / 雷杜祖迪，羅馬尼亞


10. 五月的你，十二月的她 May December / Todd Haynes，美國 (下星期上映)



https://x.com/sightsoundmag/status/1733033608032436593?s=46&t=Gwa7jj14oWXs9qyBdJuRtw
https://x.com/sightsoundmag/status/1733043802753945620?s=46&t=Gwa7jj14oWXs9qyBdJuRtw

值得一提，花月殺手係馬田史高西斯第一部登上sight and sound年度最佳嘅電影

等緊POOR THIINGS

5, 6都要玩嘢

其餘11至50大電影

11. Close Your Eyes (Victor Erice, Spain) #雙眼之間
12. All of Us Strangers (Andrew Haigh, UK) #親愛的陌生人
=13. Asteroid City (Wes Anderson, US) #小行星城
=13. TÁR (Todd Field, US) #塔爾
=15. Fallen Leaves (Aki Kaurismäki, Finland)
=15. Saint Omer (Alice Diop, France) #聖奧梅爾殺嬰案
=17. Last Summer (Catherine Breillat, France)
=17. Totem (Lila Avilés, Mexico) #最後一次的生日派對
=20. Afire (Christian Petzold, Germany) #野火蔓延時
=20. La Chimera (Alice Rohrwacher, Italy)
=20. Evil Does Not Exist (濱口龍介, Japan) #邪惡根本不存在
=20. Return to Seoul (周戴維, France) #回到首爾
.
=24. The Boy and the Heron (宮崎駿, Japan) #蒼鷺與少年
=24. Inside the Yellow Cocoon Shell (范天恩, Vietnam) #霧中潛行
=26. The Beast (Bertrand Bonello, France)
=26. Beau Is Afraid (Ari Aster, US) #寶可噩夢
=26. The Delinquents (Rodrigo Moreno, Argentina)
=26. The Fabelmans (Steven Spielberg, US) #法貝爾曼
=26. Rotting in the Sun (Sebastian Silva, US, Mexico)
.
=31. Talk to Me (Danny and Michael Philippou, Australia) #鬼手鬼手請開口
=31. Music (Angela Schanelec, Germany) #聲聲長流
=31. Hit Man (Richard Linklater, US)
=34. The Taste of Things (Tran Anh Hung, France) #火上鍋
=34. One Fine Morning (Mia Hansen-Løve, France, Germany) #美好的清晨
=34. Infinity Pool (Brandon Cronenberg, Canada) #歡迎來到極樂弒界
=34. The Human Surge 3 (Eduardo Williams, Argentina) #人體之巔3
.
=38. Trenque Lauquen (Laura Citarella, Germany, Argentina) #聽說蘿拉不見了
=38. Samsara (Lois Patiño, Spain) #轉生幻夢
=38. Suzume (Makoto Shinkai, Japan) #鈴芽之旅
=38. Rye Lane (Raine Allen Miller, UK)
=38. Reality (Tina Satter, US)
=38. Priscilla (Sofia Coppola, US)
=38. A Prince (Pierre Créton, France)
=38. Our Body (Claire Simon, France) #診間身景
=38. Menus-Plaisirs les Troisgros (Frederick Wiseman, US)
=38. The Killer (David Fincher, US) #殺手
=38. The Holdovers (Alexander Payne, US)
=38. Earth Mama (Savannah Leaf, US) #大地媽媽
=38. All Dirt Roads Taste of Salt (Raven Jackson, US)


https://www.bfi.org.uk/sight-and-sound/polls/50-best-films-2023
https://www.facebook.com/share/p/jeG5p2tUUJZPcktR/?mibextid=7eNqk6

保持芭比海默初心

3係一套唔錯既小品
但竟然咁高

愚見past lives有少少吹大左

do not expect too much to the end of the world
想睇

agger

勁想睇zone of interest同poor things

係用咩指標決定

更正：

4. Poor Things / Yorgos Lanthimos，愛爾蘭，英國，美國 (稍後時間上映)

幾鍾意段引言

How will 2023 in film be remembered? As the year that the business models of streaming and Marvel started to wobble; the year that Hollywood learned to start worrying and fear the AI bomb ticking beneath it; the year when film production halted due to the writers’ and actors’ strikes and the unseen labour behind cinema took the spotlight – from the minions of the ‘mini-room’ to extras who risked being replaced by pixels in perpetuity.

Fonder reminiscences may come from those with fuchsia-tinted lenses who will recall the summer when pink ruled, when people actually queued to go to the movies again and when the phrase ‘double bill’ came back into popular parlance for the first time in 60 years. “Do you guys ever think about dying?” Margot Robbie asked in Barbie, an existential question directed frequently at cinema in recent years. If the big screen could talk, in 2023 it would have shouted back “No!” 

Let’s hope such a seismic 12 months behind the screen doesn’t overshadow what’s been on it. For 2023 has been one of the best years in recent memory for the art of cinema. As ever, we hope our list, voted for by more than 100 contributors, works as an invitation to dig beyond those films blessed with multimillion-pound marketing muscle and giant awards-season promo budgets, to find new films and directors rather than simply those that shout the loudest.

呢套幾好睇，將所有人一次過諷刺曬，又唔會低俗

Zone of interest好想睇
唔知香港有冇片商買

啱啱見到過咗電檢

期待

值得期待 好撚掂

花月殺手昨晚向 hmvob 睇左，三粒幾鐘但又唔覺得睇好耐。

信你

inside joke

《大叔的愛》。2021

《社內相親》。2023

花月殺手實至名歸
應該要攞奧斯卡

節奏適當 自然唔造作