![](https://i.postimg.cc/4x7VHx1c/bk.jpg)
https://youtu.be/9SJyX72gwzM
We are all pieces of a big puzzle but we are not all the same.
X-Pro3 11月尾正式發售 暫時只有黑色
DR Black同 DR Silver 要明年年初先有貨
Sub-monitor
![](https://i.postimg.cc/2SrdMDdL/x-pro3-development-story-1-01.jpg)
節錄於官方product planner 嘅心路歷程:
The reason we do this is to discover universals, to identify the things that don’t change no matter how much features and technology may advance.
If you want to understand how you normally take pictures, how cameras handle in ways that make you happy, and why cameras excite you in the first place, then simple, classic cameras make excellent subjects for study.
The original idea was to reconsider what information a photographer needs from the camera for worry-free photography.
The X Series is designed so that shooting settings can be viewed simply by glancing at the top of the camera, without turning the camera on.
And yet, one piece of information is still missing: the number of exposures remaining.
佢地嘗試將TX-1嘅film counter放埋落x-pro3,但始終唔夠位
一星期後,有位LCD display嘅developer拎著一塊彩色方型LCD display
A vision appeared to the product planners the moment they saw it. We were fortunate that the GUI designers were there too. By the next day they had it hooked up to the test platform with a film package showing in its 128 × 128 dot display.
That’s right—a film counter was not enough. How excited photographers used to be to know the kind of film they were using! Just the knowledge that you were shooting using high-end reversal film was a thrill, and you hoped the person next to you would notice.
原文:https://fujifilm-x.com/en-us/stories/x-pro3-stories-1-sub-lcd/
Film simulation
CLASSIC Neg -- modeled on SUPERIA film
designed for slightly higher contrast in order to add depth to scenes with flat lighting
The key to “SUPERIA-like” color reproduction can be found by examining its greens, blues, and skin-tones. “CLASSIC Neg.” similarly achieves maximum expression when slightly over-exposed. These indeed are the colors of the negative film photographs we took in the days of our innocence, colors that are evocative without being old-fashioned.
![](https://i.postimg.cc/5tnMLbgB/xpro3-stories-2-03.jpg)
原文:https://fujifilm-x.com/en-us/stories/x-pro3-stories-2-learning-from-film/
![](https://i.postimg.cc/J0q16ZcF/x-pro3-stories-3-05.jpg)
機身物料DURATECT
https://fujifilm-x.com/en-us/stories/x-pro3-stories-2-learning-from-film/
究竟點解機背唔放display
Was what we were asking of them really so painful? But these were professional photographers, and their opinions indicated that we might have to prepare for a certain level of resistance.
Where was the excitement we felt before smartphones—actually, make that before digital cameras—when photography was more of a specialized pursuit? Why was it that in those days we would feel a thrill without even pressing the shutter button?
https://fujifilm-x.com/en-us/stories/x-pro3-stories-4-love-of-photography/
AF system
At low light levels, pixels with color filters—the pixels used for imaging—function in their normal role, while the phase-detection pixels, which lack color filters, operate in a different sequence to maximize exposure time to produce a sufficiently strong signal even under low light.
https://fujifilm-x.com/en-us/stories/x-pro3-stories-5-over-the-top/
For more info:
https://fujifilm-x.com/en-us/products/cameras/x-pro3/